My previous post (First Motif: A Daffodil) about motifs 1, 58, and 61 on my map of the Bacton Altar Cloth explained our thought that these were daffodils. As we studied the embroidery more we noticed two general rules that made us doubt the species identification:   Although motifs repeated, sometimes with slight variance in colouring, no species seemed to be represented by different shaped motifs. While flowers might be exaggerated in size, both the flowers and the leaves seem

One of the great pleasures in studying the Bacton Altar Cloth, even from afar mostly via photographs, is that so many intriguing questions present themselves. What materials were used? Who stitched the designs? How was the fabric and embroidery used before it was an altar cloth? How would contemporary viewers have interpreted the work? To answer such conundrums clearly will take considerable time devoted by many people with diverse expertise. One question seemed easy enough, but has dominated our initial

On Saturday 9 January our little study group held a public but relaxed and conversational online meeting about the Bacton Altar Cloth as part of a lockdown-inspired series of more smaller, more accessible events hosted by the Medieval Dress and Textile Society. We shared our photos – ok, mostly my photos – of the Bacton Altar Cloth taken last winter when it was on display at Hampton Court Palace, answered queries from some of the nearly 120 people who joined

  Before the first MEDATS Study Day I needed a “map” of the Bacton Altar Cloth so that I could communicate with others about which of the original floral motifs we wanted to discuss. I have not assigned numbers to the secondary embroidery that was added later – the animals, insects, trees, and other smaller figures squeezed between the original motifs – only to the professionally embroidered flowering and fruiting plants. Here is the same image without the numbers over